Collective Unconscious

Some thinkers, like Jung and Sheldrake, see individual human consciousness like an island in a huge ocean in which there are countless other islands. Above the surface of the water – waking self-awareness – there is a sense of separate existence, with definite boundaries where the shore meets the sea. Beneath the surface however, one island is connected to all other islands. The land stretches away under the waves and rises here and there into other islands. So, it is thought, personal awareness, beneath our everyday consciousness, shades off into a connection with a collective unconscious we all share. Through this connection we may be able to arrive at insights into other people otherwise denied to us.

In recent years there has been a lot of research very strongly suggesting that the quantum level of the universe is such a universal memory and consciousness. (See The Field by Anne McTaggart).

Jung describes the collective unconscious as the ‘inherited potentialities of human imagination. It is the all controlling deposit of ancestral experiences from untold millions of years, the echo of prehistoric world events to which each century adds an infinitesimal small amount of variation and differentiation. These primordial images are the most ancient, universal, and deep thoughts of mankind.’

However, such ideas have been stated long before Jung and modern psychology. Eastern philosophy has talked of the akasha, the fundamental substance that holds in it memory of all that has happened. In Western occultism levels of awareness have been defined for hundreds of years. At the end of the 19th century Dr. Richard Maurice Bucke wrote about Cosmic Consciousness that was described as having the same universality as the collective unconscious.

A lucid experience describes this very clearly:

Now it seemed as if my awareness went beyond the frontier. This was a very visual experience. I was seeing a vast desert and I knew this represented immense periods of time, perhaps what we call eternity. So it could be called the Desert of Eternity. Here and there in the desert were huge rock formations, a little bit like what one sees in Monument Valley in Arizona. But these rock formations were not plain or slightly coloured rock. Also they were immense. They had the appearance of massive mosaics – brightly coloured mosaics. But the mosaics did not form illustrations or patterns. However, some pieces of the mosaics were larger than others. And each piece might be in itself multicoloured and a sort of miniature pictograph.

As I looked at these massive formations I understood that they had been carved or created through events in the passage of time. Each mosaic, each part of the overall mosaic, had been formed by enormous creative acts, or by long-standing actions. So these latter were like ideograms or archetypes. So, for instance, mother creatures have cared for, fought for, died for their young. This pattern of behaviour has been so enormously potent and perhaps we can use the word successful, that it has created, shaped aspects of eternity. It has left its pattern, its artwork, on time itself. Thus eternity honours that pattern by giving it a place in the very structure of itself. No one being created such a mosaic in the formations. Such a mosaic was large and had in it the essence of all the lives that formed it.

 So the rock formations and the mosaics on them represented influences that will flow into the future. They were sources of power or influence that shaped the phenomenal world. They were the body under the coat so to speak.